Report of Podcasting, Music, and Audio
“A podcast is an
ongoing digital audio program that releases regular ‘episodes’ that listeners
subscribe to via a feed.” (P. 199) It could be either streamed directly in real
time on computer or downloaded automatically as soon as it was released if it
was subscribed by listeners who have preset relative operations on a
‘Podcatcher’ such as iTunes or Juice Receiver. In China, people who are
interested in podcasting almost use a free online audio sharing platform named
‘Himalayan’ to post their completed podcasting and subscribe what they want to
listen as well.
Compare to the
traditional ways for context presenting purpose such as paper writing or
infographics, podcasting dose more effective on accepting information needed and
acquire knowledge conveniently which means people can access to this vocal
processing easily without any temporal or special constrains as long as they have
a smartphone or computer which is connected to the internet. Of course, they
should know how to use relative ‘podcatchers’ first, and it’s not a big deal by
following the comprehensive tips provided by dedicated platforms.
For educational
purpose, “podcasting could be highly effective in promoting collaborative,
socially constructivist learning environments where students build and share
knowledge and opinion.” (P.186) Podcasting performs perfectly on asking
students to identify a problem and to find a way of answering it. And students
can also develop a wide variety of skills in the process of planning, creating
and publishing a podcast to answer a problem such as technical skills about how
to record, edit and distribute digital audio, project management skills, social
skills, communication skills, intellectual skills. In a word, podcast could practice
students’ different relative skills in collaborative troubleshooting. So how to
plan, create, put various coherent, focused digital audios together into an
entire podcast and publish it is fairly important.
At first, teachers
should conceptualize podcasts needed and develop a format for podcasts that
students would do later. For example, teachers should explain students concisely
and help them understand what’s the main focus of the predictable podcast, what
are the essential targets, which kind of indicated audience and decide the
format of podcasts such as hosted panel discussions or class report according
to the real teaching demands.
Then students should
work on their podcasts by following what teachers demanded promptly. Before
they started their podcasting projects, they should work out a detailed working
sheet include context or interview plan first. Then, they should choose a
suitable and quite location where is more easily to control the ambient noise
to host a high quality recording. They also need voice recording equipment with
a fairly large recording capacity or memory, headphones that allow them to
listen for irritating background noises that might need to be edited out,
microphones that will be adequate for making purpose and a computer with audio
editing software like garage band, adobe audition or audacity. Of course, they
need a platform to publish their achieved podcasts.
Thanks for the rapid
development of computer technology, it’s easier for students to use audio
editing software for essential manipulations. Students can highlight and edit
certain sections, amplify quieter bits, insert silences, add effects, fade in
or out, and accomplish many other feats of digital modification to their recording.
By the way, it’s better for students to edit from a copy on the computer, save
work regularly during the editing process, create a backup of what they have recorded
and keep the original file somewhere safe so they can edit materials again if
something unforeseen happens like software snafus.
Different from
America, Chinese people can download the music without payment for listening or
non-commercial purpose because of the particular condition in China, so
teachers won’t worry about the issues of copyright or privacy for educational
usage. But it’s necessary to extend thanks to the original author at the end of
the podcast.